Being Painting: Material & Force in the Event of Painting
[Painting, Media & Philosophy]
Shiraga's "Chijikusei Gotenrai" (1961)
Apply this treatment of the effects of the synthesizer on sound to the treatment of digital medias on painting:
“By assembling modules, source elements, and elements for treating sound (oscillators, generators and transformers), by arranging micro-intervals, the synthesizer makes audible the sound process itself, the production of that process, and puts us in contact with still other elements beyond sound matter. It unites disparate elements in the material, and transposes the parameters from one formula to another. The synthesizer, with its operation of consistency, has taken the place of the ground in a priori synthetic judgement: it’s synthesis is of the molecular and the cosmic, material and force, not form and matter.” - D&G
We could recreate this statement this way:
By assembling pixels, code, and elements for treating images/visual objects, by arranging micro-movements, digital media makes visual the painting process itself, the production of that process, and puts us in contact with still other elements beyond visual matter.
Painting, Media & Philosophy
Kazuo Shiraga's "Iizuminokami-Kanesada" (1962)